Posts Tagged ‘records’

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The Vinyl Room in Chatham

May 24, 2011

click pic to enlarge

Store: The Vinyl Room
City: Chatham Ontario Canada
Location:  325 Queen St. Chatham
Phone: 519-351-2727

The Vinyl Room is a brand new store in Chatham that carries records, nostalgia items, and collectables. Go check it out.

Opened May 2011

Email your info on bands & events to:
chatham_music_archive@hotmail.com

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Jeanne Gordon Opera Singer From Wallaceburg

July 22, 2010

Name: Jeanne Gordon (Ruby Jeanne Gordon)
Genre: Opera singer
Year: 1919
Home: Wallaceburg Ontario

Ruby “Jeanne” Gordon was an Canadian opera singer active during the early 1900s

Ruby got her big break in July 1919. She was called to New York and offered a three year Metropolitan Opera contract by Giulio Gatti-Casazza. Shortly after signing her contract she changed her name to “Jeanne” Gordon. Her debut performance was as Azucena in Il trovatore. In 1919 she created the roles of the Fairy and Mme Berlingot in L’oiseau bleu by Albert Wolff in its world premiere. She made guest appearances with the Opéra de Monte-Carlo in 1928.

Recordings: Gordon recorded 78s for Columbia and Victor in the 1920s.

Above info from http://en.wikipedia.org/wiki/Jeanne_Gordon
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Her only teacher was Albert Ham, with whom she studied while attending Toronto’s Havergal College. As a girl she often sang before Sir Wilfrid Laurier. Married unhappily (1908) to Ralph K. Trix of Detroit, she nevertheless followed him to the USA, but left him in 1917 and began her career as a professional singer in New York.

In New York Gordon appeared at the Rialto Theatre, singing operatic ‘interludes’ as part of a variety program. These appearances led to a contract with the Creatore Grand Opera, and she made her debut 11 Dec 1918 in Brooklyn as Amneris in Aida. She toured with the Scotti Grand Opera the following spring and made a highly successful Metropolitan Opera debut 22 Nov 1919 as Azucena in Il Trovatore. She remained a principal contralto with that company for nine consecutive seasons, her repertoire consisting of two dozen roles (in French, Italian, German, and English), including Carmen, Dalila, Eboli in Don Carlo, Marina in Boris Godunov, Brangäne in Tristan und Isolde, and several novelties. She also sang in the premieres of Albert Wolff’s L’Oiseau bleu and Henry Hadley’s Cleopatra’s Night. For virtually all of her opera roles she was coached by Wilfrid Pelletier. Maintaining an active concert schedule she sang in Montreal 11 Mar 1926 on an all-Canadian program under Pelletier with Edmund Burke, Florence Easton, and Edward Johnson and in Toronto 27 Jan 1927 with the National Chorus under Albert Ham. After guest appearances with the Monte Carlo Opera in 1928 in Europe, with the TSO during its 1929-30 season under Luigi von Kunits, and with the Toronto Promenade Orchestra in 1930 under Reginald Stewart (her last appearance), she suffered a mental collapse and was admitted to a Missouri sanatorium, where she remained until her death of a heart attack.

A tall and handsome woman with a magnetic personality and a true contralto voice of extraordinary range and richness, Gordon never quite fulfilled the promise evident in such notices as that published by Musical America after her 1921 Metropolitan appearance as Brangäne: ‘The most satisfactory all-round individual contribution to the performance was made by Jeanne Gordon whose lovely contralto and fine sense of pictorial and dramatic values received thrilling expression’.

She recorded nine single-sided 78s for Columbia (1920-2) and two in 1925 for Victor. All are listed in Roll Back the Years. In 1927 she appeared in a few Warner Brothers-Vitaphone shorts, singing operatic excerpts with Martinelli, Gigli, and others. She shares with Edward Johnson and Marie Louise Edvina a Rococo recording (No. 5254) of operatic arias.

Author James B. McPherson
Info from  http://www.canadianencyclopedia.ca


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Ray Francis and the Whippoorwills – 1963

December 3, 2009


Click on the above picture to enlarge

Band: Ray Francis and the Whippoorwills
Release: Country Jamboree
Format: LP Album
Year: 1963
Formed: 1958
Label: Arc Records
Genre: Country Music

Ray Francis on vocals on side one.
01
. Crying In The Deep Blue Sea
02. I’ve Got A Right To Know
03. A House With Everything But Love
04. I’ll Kiss The Fast GoodBye
05. The Same Old Me
06. All Over Again

John Tengelis on vocals on side two.
07
. Toujour Moi
08. I Can’t Run Away From Myself
09. Three Hearts In A Triangle
10. Anymore
11. A Dime Worth Of Dreams
12. Carribean

Band members:
Ray Francis, Bill Taylor, John Tangelis, Ray Dauphin, Max Dauphin

 This is the first of two albums Ray Francis and the Whippoorwills recorded. Ray went on to record four solo records also.

Liner Notes:
  “A recording company in the run of a year auditions many artists in order to find the top talent required for recording. As soon as Arc Records heard Ray Francis and The Whippoorwills they immediately recognized that here was one of the most professional sounding country bands in the land. This long play album is the result”
  The Whippoorwills have been together as a unit for five years and for the past three years have been heard regularly on radio station C.F.C.O. in Chatham, Ontario, the group’s home base. The band has toured with Grand Ole Opry, stars such as Ray Price; Johnny Cash; Brenda Lee and many others, both in Canada and the United States.
  The next goal that Ray Francis and his talented band are aiming for is their own weekly television show, and if talent and showmanship is the key to their goal, they are certain to succeed.

2009 Update by S. Beaulieu
  The band started out making $3 a night in the late 1950’s. They went on to do a weekly radio show for CFCO which ran for five years, beginning in 1960. Francis worked hard and persistently to promote the band to people with connections in the industry. Country star Jim Reeves was quick to help the band when he heard them, stating that they were the best he had heard anywhere in Canada.
  In 1963 they recorded their first LP ‘Country Jamboree’ in Toronto.  In those days, recordings were simply the band circled around a single microphone. There were no overdubs or room for error on a take.  Musicianship mattered.
By researching Ray
   I found and bought this album one day before going to interview Ray. It turns out Ray had a copy of all his albums except this first one. It was posted online from a Holland Street home in Chatham, so I drove over and bought it and then gave it to Ray. I thought that was pretty cool. He gets a copy of his first album, and I get to meet and learn about a local musician who was a real go-getter and made things happen for his music and love of it.

Photography: Des Dollery

Click to listen to the Preview.

If video does not appear, click here.

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