Posts Tagged ‘1987’

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Barry Truax 1987

October 24, 2011

Name: Barry Truax
Release: DIGITAL SOUNDSCAPES
Year: 1987
Born: Chatham Ontario, 1947.
Resides: Vancouver

Notes:
Barry specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He developed the first ever
implementation of real-time granular synthesis, in 1986, the first to use a sample as the source of a granular composition in 1987′s Wings of
Nike, and was the first composer to explore the range between synchronic and asynchronic granular synthesis in 1986′s Riverrun. The real-time
technique suites or emphasizes auditory streams, which, along with soundscapes, inform his aesthetic.

Barry Truax is a Professor in both the School of Communication and the School for the Contemporary Arts at Simon Fraser University where he teaches courses in acoustic communication and electroacoustic music. He has worked with the World Soundscape Project (WSP), editing its Handbook for Acoustic Ecology, and has published the book Acoustic Communication dealing with all aspects of sound and technology. As a composer, Truax is best known for his work with the PODX computer music system which he has used for tape solo works and those which combine tape with live performers or computer graphics. He releases many of these works on the Cambridge Street Records label which he founded in 1985. In 1991 his work Riverrun was awarded the Magisterium at the International Competition of Electroacoustic Music in Bourges (France), a category open only to electroacoustic composers of 20 or more years experience. He is also the recipient of one of the 1999 Awards for Teaching Excellence at Simon Fraser University. Barry Truax is an Associate Composer of the Canadian Music Centre (CMC) and a founding member of the Canadian Electroacoustic Community (CEC) and the World Forum for Acoustic Ecology (WFAE).

CD Notes
Cambridge Street Records released its first Compact Disc entitled Digital Soundscapes with five works by Vancouver composer Barry Truax in 1987.
The CD features the first recording of the composer’s Riverrun, commissioned by the Venice Biennale and realized entirely with the technique of granular synthesis. This groundbreaking work was the recipient of the prestigious Magisterium award (the senior category for composers of more than 20 years experience) in the 1991 International Competition of Electroacoustic Music in Bourges, France.
The disc also includes four other works, digitally remastered, that appeared on the composer’s earlier recordings — the text/soundscape work The Blind Man, the ethereal computer work Aerial (with horn player Steven Field), and two compositions from Truax’s last vinyl release, Sequence of Earlier Heaven, the computer-synthesized works Wave Edge and Solar Ellipse. Each was realized with the composer’s PODX system for digital sound synthesis and composition at Simon Fraser University.

Links
Interview (1991) http://www.sfu.ca/~truax/barry.html
Interview (2009) http://asymmetrymusicmagazine.com/interviews/barry-truax/

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Appliances Band

March 11, 2010

Click pic to enlarge

Band: Appliances (The)
Circa: 1987

Members: (L-R)
Marc Haslip – Bass, Vocals
Mark Tremblay – Keyboards
Mark Wolfe – Drums
Tom Lockwood – Guitars

  The band was listed for show dates in 1985, but the picture is from circa 1987. This band was a working bar band and were always booked reflecting the times when there was lots of work for a commercial rock band.

¬†Throughout that time, Tom Lockwood focused his creative energies mostly on solo guitar, creating the material that later came out on his solo recordings “Passion Flower” and “Steamline”.

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Rebel (1987)

October 28, 2009
rebel_1987
click to enlarge

Band: Rebel
Circa: 1985-1989
Style: Rock
Home: Chatham Ontario

Members (L-R)
Rick Chrysler – Drums
Waide Holland – Keyboards, vocals
Randy Young – Bass, vocals
Steve Fowler – Guitar

Notes: Steve Fowler is an accomplished guitar player and simply recognized as one of the best in the area by his peers . Steve has played with some of the biggest names in the Canadian Music Industry.
Rebel played extensively 3 nights per week in local lounges.

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